(For this (hopefully weekly) column I’ll be reading issues of the Dragon Magazine, starting from the first one, trying to find one or more articles in each worth of commentary/ranting. I kick off with Issue 1, and the first of the two articles which I found interesting in it.)
The first issue of the Dragon magazine, released on June 1976, is (not unexpectedly) somewhat underwhelming considering the magazine we knew during the ’90s and ’00s. Just 32 pages long, it still managed to cram inside: the first parts of 2 fiction stories, several small articles (dealing with both role-playing and strategy wargaming), many advertisements, and even a small piece of writing from Fritz Leiber (a very small gazetteer of Newhon).
Two articles are of particular interest to me here:
–Magic & Science (Are they compatible in D&D) by James M. Ward
–Languages (or, Could you repeat that in Auld Wormish?) by Lee Gold
The first one, Magic & Science, is trying to tackle a subject which apparently had already surfaced even back in the first days of role-playing, namely the role and (acceptable) level of science in a magical fantasy setting. The writer proposes a somewhat weird scenario, in which a particular culture has three types of “scientific” items: a hand-catapult discharging some spheres, categorized by colour, each colour having a spell-like effect; some other blue spheres that are somewhat autonomous, movement-wise, and can emit rays and force fields that emulate spells; and the anologic computers which can counter magic, analyze enemies, and emit an attack ray.
Firstly, there is no mention of how these items work; essentially they are stored, “delayed,” spells, camouflaged only on a surface levels as technological items. They could be paralleled to wand charges, since they are expendable. The fact that the “how” is nonexistent, makes the whole science point going astray. Since science is chiefly concerned with the “how” of things and events, the author here pulls a very thin camouflage-rug above what is considered magic in the game. But what is D&D’s magic really?
I consider science something that gives reliable and identical or similar results under repeatable occasions. In this light, D&D’s magic is a kind of science, due to its reliability. Being a wizard, if you know a spell, its gestures, vocalising, and have any necessary material ingredients, along with a suitable spell slot, then you can reliably cast the spell. Thus magic appears as something that can be rationally studied, analysed, and assimilated – something that more or less follows a scientific method. Sure, its effects can be beyond the reach of that cultural era’s science and technology, even beyond ours, but the method followed is deeply rational.
Let’s take a look on a short elaboration on real-world occultism, from “The Varieties of Magical Experience”: “Important in the practice of magic, we have found, are intuition, imagination, and the emotions; rationality plays little part in magic because magic occurs when one lets go of rational thoughts. When the imagination is permitted full play there is room for a shift in the perception of reality. There can be a change in consciousness, so much so that physical boundaries and distinctions between real and unreal often dissolve. Such experiences are not able to be measured scientifically. Rather, the person might have a noticeable experience of deep inner change, or a knowing, or a sense that something significant has happened.” (my emphasis)
One more passage, this time from an article from the fantasy author N. K. Jemisin, on which I stumbled while writing this post, and which, though mostly concerned with magic in fantasy literature, has many points that I believe are relevant to the D&D case also (D&D is explicitly mentioned, and not in a good way): “Because this is magic we’re talking about. It’s supposed to go places science can’t, defy logic, wink at technology, fill us all with the sensawunda that comes of gazing upon a fictional world and seeing something truly different from our own. In most cultures of the world, magic is intimately connected with beliefs regarding life and death — things no one understands, and few expect to.”
It is my opinion that magic, as loosely defined in the above passages, is what is somewhat missing from the game (or rather from its rules), not science, as the writer was complaining. Despite its enchanted cloak, if one gets down to the nuts and bolts of the magic system of almost any RPG, you have blueprints that are bound to work, like a very rationally designed mechanism.
If one takes a look at the wizard class, starting with a stat view, where Intelligence is the single most important stat, the class seems like a fantasy version of the modern scientist. Intelligence, or rather raw mental strength is what makes spells more effective. In the 5th editition’s Player’s Handbook it is written that “lntelligence measures mental acuity, accuracy of recall, and the ability to reason.” A description permeated aesthetically throughout with cold logic, with an aura of clinical precision.
Concerning D&D spells, most of them affect the physical world, which from a game-rules point of view is comprehensible. But most of the effects are things that could be replicated by a sort of advanced science. There is little of the esoteric, since it is obviously difficult to incorporate this in a game. The spells are certain to satisfy the players’ craving for powers beyond the norm, for their having abilities that are beyond the vast majority, their will for omnipotence, their lust for wonder. But it seems that D&D magic also reinforces a clinical, rational way of thinking, and presents a rather standarized image of magic, not much full of wonder.
Concluding, I again stress that it is quite understandable for a rules-driven game to structure its magic on a rational and not-so-enchanting way. This goes hand to hand with D&D’s focus on linear character progression and advancement (for more on this, see here). But the quest for a more magical magic system (or rather the complete absence of a system) is a worthy undertaking for an adventuring party or three.