2017 – Top 25 albums

Places 11-25 are ordered alphabetically. Skip below for the top 10. Top EPs & Demos here.


Places 11-25 (Alphabetically ordered)

Arckanum – Den Förstfödde

Shamaatae’s swansong is a strange beast with quite unconventional song structures – several seem like weird elongated intros or snapshots from a paranoid film. Yet, that’s the magic of this album – it offers something different, yet remaining throughout an Arckanum album. An excellent farewell.

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Attic – Sanctimonious

It sounds like Kind Diamond, vocally, musically and lyrically. To be exact it sounds like good King Diamond – and the few blasting parts they incorporate work just fine. Anything that sounds like good King Diamond is bound to end up in my list.

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Cradle Of Filth – Cryptoriana – The Seductiveness Of Decay

I grew up with Cradle Of Filth, I loved Cradle up to Midian, and with Cryptoriana they pulled me back in their wagon. Yes it’s a safe album steeped in nostalgia for the first four albums, but that is what I ask from 2017 Dani. The fact that it contains one of the best songs of their career (The Night At Catafalque Manor) is just the icing on the cake. [Full review in Greek here]

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De Magia Veterum – Naked Swords Into The Wombs Of The Enemy

Maurice is one of the most hyper-productive members of the scene, and De Magia Veterum is his best project for 2017. In Naked Swords lie 30 minutes of hyper-tense black metal with a mesmerizing and completely personal guitar sound. The atmosphere of extreme damnation.

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Divine Element – Thaurachs Of Borsu

Contemporary epic death metal is a term that automatically repels me. Divine Element somehow manage to become the exception to this, with their spontaneous feeling that combines technical and highly interesting guitars with a bombastic element. The album even winks to Basil Poledouris, what is not to love? [Full review in Greek here]

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Fleurety – The White Death

18 years after Min Tid Skal Komme Fleurety returned with a bizarre, seemingly disjointed album – yet somehow the result is very very good. A partial return to the black metal sound of yore, a song-writing skill that hasn’t been blunted by time, this is almost educational, in a dynamic way. [Full review in Greek here]

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Horisont – About Time

Amazing hard rock, a tour-de-force of the ‘70s with a slightly radio friendly attitude and a huge ability of writing timeless hymns like “Electrical” and the self-titled. This is the stuff that used to fill arena stadiums. The bastard child of Scorpions, Uriah Heep, Rainbow, and a host of others.

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Jordablod – Upon my Cremation Pyre

Somehow this reminded me of old Enslaved jamming with Hawkwind. It definitely has a strong aura of improvisation that brings Vikinglir into mind. A quite exotic nordic listen that flows almost seamlessly – the overall duration could be a bit shortened, but that’s why future discography exists.

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Krallice – Go Be Forgotten

I am not a big fan of Krallice. Still, their second 2017 album just clicked. Maybe due to the B&W cover, maybe due to the non-abstract title, mainly due to the absence of sophistication. This is Krallice’s best work, a tight black metal album which does not scoff at its genre – and it shiones because of it.

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Malokarpatan – Nordkarpatenland

Pagan rituals in Slovakian countryside, filtered through an ‘80s proto extreme metal lens. Malokarpatan improved hugely since the debut, and here they present us with speed metal/first wave of black metal anthems. All this under an amazing cover art. [Full review in Greek here]

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One Master – Lycanthropic Burrowing

Extreme, oh so extreme black metal, flirting with noise structures, dominated by a mania that is lycanthropic indeed. Black metal at its most ferocious which thankfully never forgets the riffs in favour of abstract destruction. Music to howl to the moon.

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Profundum – Come, Holy Death

This is how storming through cloudways and angel flesh sounds like – you can’t get smoother than that. This is the distillation of atmospheric black metal and celestial wings, a canvas on which to float eternally. The compositions are not the main focus (though they are pretty good) here; it is the sound that steals the lightning.

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Satyricon – Deep Calleth Upon Deep

Another band that returned after many many years with an album worthy of their past. I stopped listening to Satyricon after Volcano, and this is their first album since then that I listened to more than once – many times to be precise. Finally they got the song-writing right and they managed to successfully mix present with past.

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Wrathblade – God of the Deep Unleashed

Rough-around-the-edges, barbaric epic metal. Where Lunar Shadow are the Nobles in this list, Wrathblade are the Savages. Galloping riffs (there’s been done some great work at the guitar department), unpolished vocals which call to battle, Brocas Helm and Slough Feg by their side.

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Yellow Eyes – Immersion Trench Reverie

I have a soft spot for these New Yorkers though their previous album was something of a letdown. Thankfully, Yellow Eyes are back with a blizzard of intelligent traditional black metal with a heart of dark folk. Alpine New York, that’s how you sound. [Full review in Greek here]



The Top 10

10. Lunar Shadow – Far From Light

This is the epic metal of the year. Lyricism, history, amazing-amazing guitars which bring to mind epic power metal’s golden era. This is overflowing with epic and romantic emotion, and brings back to mind my early Blind Guardian listens back in the ‘90s, along with AD&D modules reading. [Full review in Greek here]


9. Chelsea Wolfe – Hiss Spun

This is the sonicalization of neuroses into voices both ethereal and full of terror, into waves of metallic noise; a bleak, black landscape in which you can immerse yourself, and let it embrace you like an uterus. This is the sound of impending doom. [Full review in Greek here]


8. Evilfeast – Elegies of the Stellar Wind

There was a time that black metal was only snow, night, forests and stars, as far as I was concerned. This is Evilfeast’s black metal, and I couldn’t be happier listening to it. This is atmospheric black metal as it should be, returning me to this younger state of spirit.


7. Resurgency – No Worlds… nor Gods Beyond

The brutal death metal album of the year as far as I am concerned. Coming out of nowhere, this riff-fest of an album worships Morbid Angel and Deicide, managing to stir completely clear of any filler compositions.


6. Urarv – Aurum

Aldrahn returns once more with a new project, this one dressed in spectacular vestments, treading many music fields, from black metal to avant-garde. His voice, as voluptuous as always, here sings, moans, growls, whistles, and reconfirms that Aldrahnian Norwegian is a pure addiction of a language.


5. Locust Leaves – A Subtler Kind Of Light

A Subtler Kind Of Light is a cryptic creation deeply rooted and devoted to heavy metal, yet an enemy of metal’s rigidity. Here lies everything from black/thrash to Watchtower-like prog. The album reeks of angles and hidden nooks, which turn it into a plateau whose complete exploration requires devotion. [Full review in Greek here]


4. Necromante – The Magickal Presence of Occult Forces

These Brazilians drank deep from the Sarcofago and Necromantia wellsprings, creating an album that writhes with ritualistic volcanic energy. Combined with the delicious vocal mis-pronunciation of English, this is a homage to very early black metal. Music to lift your fist in the face of god.


3. Acrimonious – Eleven Dragons

Eleven Dragons rearranges the chips of extreme metal in familiar yet Highly imaginative patterns. It allows an emotional immersion within it, without raising any pretentiousness walls, engulfing and easily freezing the listener’s blood. This is what apex 2017 black metal sounds like. [Full review in Greek here]


2. Black Cilice – Banished from Time

This is spectral lo-fi music, the closer thing to spirit whispers and haunted passages. This is the furthest one can get from humanity. It feels like wandering in medieval dungeons and upon the paths of the deceased, outside time. Les Legions Noires would be proud.


1. Wolves In The Throne Room – Thrice Woven

Thrice Woven made me experience again this magickal feeling that overwhelmed me when in days long past I listened to albums such as Emperor’s In The Nightside Eclipse: it bade me strap on my headphones and go out in the dark autumn night to gaze at the firmament. Black metal at its most majestic. [Full review in Greek here]

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2015 – The Good Albums (21-40)

indstries

An alphabetically sorted list of 2015 albums that did not quite make it to the top-20, yet are just a step below. I found that ranking them was time-consuming and non-essential, since the difference in quality between them was almost non-existent, hence the alphabetic hierarchy.

A Forest Of Stars – Beware The Sword You Cannot See

In their fourth album, the British avant-garde band continue their exploration of atmospheric and narrative aspects of metal, distancing themselves even more from traditional black metal, yet managing to maintain a high level of quality, just a step down in comparison to their first three masterpieces. Full review here.

 

Akhlys – The Dreaming I

Nightbinger’s Naas Alcameth delivered with his side project’s sophomore album a frigidly thin, ambient-like black metal, with abstract structure, that conjures almost effortlessly a spectral soundscape of the night void. A fine species of hypnotic dark music. Full review here.

 

Cradle Of Filth – Hammer Of Witches

Well, this one is the first more-than-decent album of CoF in more than 10 years, so it must be mentioned. They have finally managed to pull off some excellent riffs, that though they are well below the masterpiece level of the 90’s, are an oasis for those who have silently been following them all these years.

 

Délétère – Les heures de la Peste
https://youtu.be/Bo_VdeTYxOA
Quebec is bound to appear once or more times in my end-year lists. Délétère, after 2 promising demos released their debut, which stands steadily upon the Quebecois sub-genre, yet manages to instil a dark sense of occult upon it, mainly through the lo-fi, fluctuating production, which results in eeriness aplenty. Full review here.

Diabolicum – IA Pazuzu

The return of the industrial/clinical black metal Swedes was triumphant, creating an album that was based on the fantastic “The Grandeur Of Hell”, sporting a degree of variety that was unexpected and more than welcome. Full review here.

 

Drowning the Light – From the Abyss

From the Australians with the huge discography, came one of 2015’s most pluralistic takes on the early Norwegian sound, full of devotion to early Emperor, Gehenna, and all the atmospheric sub-genre in particular. If only its duration was somewhat shorter, it could well climb pretty high. Full review here.

Ethereal Shroud – They became the falling Ash

A UK black metal band is always welcome in end-year-lists, especially if it plays a sort of atmospheric BM that manages to create magnificent vistas of the dark side of nature. A mix of Summoning and Paysage D’Hiver would be the right decription.

Grafvitnir – Necrosophia

This is a last minute entry (figuratively speaking), that is bound to bring smiles to all old-Dissection fans. Excellent songwriting, close to the spirit of Nödtveidt’s band (meaning well-structured and flowing riffs), “Necrosophia” showcases a band that may not be the most original, yet manages to convey the 90’s occult spirit, along with blazing compositions.

Haukruunu – Havulinnaan

Epic black metal, drawing from epic-era Bathory (just listen to “Kuvastaja”), crossovering it with Scandinavian black metal riffing of a frosty nature. Nature- and past-worshiping, this is pagan black metal of raw elegance.

 

Malokarpatan – Stridžie Dni

Certain albums can fix your interest and positively bias you even before you listen them. That’s the case with those Slovakians and their debut, which is graced with an outstanding (and unusual, as far as black metal art goes) cover art, and a folklore lyrical content. Their style is an amalgam of Venom and Negative Plane, with much rawer production than either of these bands. If one, however, manages to dive under the murky surface, one can discover a multitude of excellent ideas accompanying the telling of dark tales from the Slovakian countryside.

Mgla – Exercises In Futility

The Polish masters’ third album was received with high acclaim almost universally, and though I tend to find it a bit predictable, and simplistic, riff-wise, it remains a release with high quality, and some of the best melodic riffs one can listen to in 2015. Full review here.

 

Nahtrunar – Symbolismus

It takes a lot of courage to kick off your album with “En Vind Av Sorg’s” riff, and not sound like a Darkthrone copy, yet these Austrians somehow manage it. Coming with an innate sense of romantic melody, this one is a prime example of black metal soundscaping.

 

Nechochwen – Heart Of Akamon

This was quite a surprise. The project of one of
Obsequiae’s members, this is epic black metal done rightly, in the vein of Falkenbach or early Solstafir. It would be higher, if not for the odd (early) Opeth influence, that mellows down the overall image. Nonetheless, an excellent album.

Nettlecarrier – Black Coffin Rites
https://youtu.be/nLpGXfRFPaQ
Nettlecarrier’s sophomore album follows on the tradition of the debut as one of the best examples of second-wave black metal of nowadays. Darjthrone and Gorgoroth worship of the highest qualitative caliber. Full review here.

Obsequiae – Aria of Vernal Tombs

The US riff-masters (with a deeply folk soul) returned after 4 years, with an album that follows upon the tradition of the amazing debut, is somewhat mellower, yet retains all the distinctive elements of the band, especially the excellent riffing.

 

Outre – Ghost Chants

One of the few examples of really interesting and refreshing orthodox black metal nowadays, this album a somewhat traditional mindset into Deathspell Omega sound, accompanied by some of the best vocals that one can hear nowadays. Full review here.

 

Revenge – Behold.Total.Rejection

Outstanding Grind.Noise.Black_Death_Terror from the Canadian masters of extremity, which (at least in my ears) have long surpassed their legendary compatriots (Blasphemy and Conqueror). A beast of an album, that emits uncontrolled sonic chaos.

 

Sacral Rage – Illusions In Infinite Void

US power metal, with a bit of Watchtower weirdness thrown in is definitely my cup of tea. I had high expectations from this album, and the Greek band did not disappoint me, though a fluctuation of quality throughout the album is evident. Nevertheless, a grand debut, and my radar is definitely on them and their sophomore attempt.

 

Saligia – Fønix

This one was startling, in a good way. From the traditional second-wave black metal of their debut, Saligia turn to a more earthly disposition, somewhat doomier, somewhat crunchier, with a hint of epicness in the clean vocals.

 

Serpent Noir – Erotomysticism

A surprising turn of sonic direction for this Greek band, which slow down their black metal, imbuing it with psychedelic elements, yet retaining a deep sense of the occult, as well as the quality that permeated their debut.

 

Visigoth – The Revenant King

This one boasts some of the best songs of this year, with “Dungeon Master” being right on the top, but the bit of a groovy edge spoils the fun for some of us. A solid example of traditional epic metal, nevertheless.